homeviewing:

Veneno para las hadas (Carlos Enrique Taboada, 1984)

homeviewing grrrrrrls
ihatealexturner maravenag
a-permanent-hesitation bilindabutchers

moonrisewhims:

etsy

moonrisewhims intersouls
snazziest:

lady gaga commanding her gays
ink-expression vainillafleur
i-love-art:

andreabarja: (vía Pupa Magazine)
pupamag.com mademoiselle-lolita
geekymerch:

(via Game Of Thrones Jon Snow Shrink Plastic Brooch Made by happyrose)
etsy.com veranoindio
fassyy mademoiselle-lolita
geriello unperfectocabron
brainentity mademoiselle-lolita

The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

ozhin anaescool

markbrendanawicz onemillion-lovers

onlymuses:

Weirdelicious Driver!

En ese orden. 
mandaaarue acidocasualidad